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A Place for All People: Introducing the National Museum of African American History and Culture Greensboro History Museum

American Jewry’s Push For Massive Immigration | Real …

John Dewey, American Pragmatist

In their study of Satanism, the religious studies scholars Asbjørn Dyrendal, James R
Abstract: Ancient and medieval scholars considered tones related by simple (small-integer) ratios to be naturally pleasing, but contemporary scholars attribute the special perceptual status of such sounds to exposure. We investigated the possihility of processing predispositions for some tone combinations by evaluating infants' ability to detect subtle changes to patterns of simultaneous and sequential tones. Infants detected such changes to pairs of pure tones (intervals) only when the tones were related by simple frequency ratios. This was the case for 9-month-old infants tested with harmonic (simultaneous) intervals and for 6-month-old infants tested with melodic (sequential) intervals. These results are consistent with a biological basis for the prevalence of particular intervals historically and cross-culturally.

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The Element Encyclopedia of Native Americans: An A to Z of Tribes, Culture, and History Repost / AvaxHome
Abstract: Using methods of inference and analogy, selected objects in grave association of the prehistoric Hopewell culture-complex in southern Ohio appear to define a cult of the dead, and further suggest the presence of ritual specialists (shamans) and a highly structured social system. The mortuary cult may have been based upon cosmological elements similar to those present in aboriginal eastern North America, and with the data at least three hypothetical funeral variants can be reconstructed.

 

The History of Western Religion | Locust blog

PDF history and memory in american culture (Full Book Download) - 1000 images about musical crossroads black american, history a
Abstract: In this article we describe the civilization at the Caral site with reference to: a) the transverse management of land and its resources based on the complementary economies of fishing and farming, and on the establishment of networks of interaction and trade systems with distant populations in the Andean highlands and the Andean jungle; b) the social organization, the pattern of distribution of settlements in each section of the Supe Valley, the differences among those settlements in terms of their extension and constructed volume, the relevance of the capital zone, the importance of duality in the location of settlements on the two banks of the river as well as in buildings grouped into two halves, and the design and planned construction of the city of Caral; c) the evaluation of archaeological information in a theoretical framework based on inferences about social and political organization drawn from pertinent ethnohistoric and ethnographic sources; and d) finally, the impact of the Caral civilization in the area over time. Ultimately, we reflect on the cultural, climatic, and social changes that took place over time at Caral and other sites and on the hegemony of this civilization in the area.

The Saxons (Part 1)- Early History and Geography – …
Abstract: This paper discusses the sound artefacts from archaeological excavations made in the present-day State of Oaxaca, Mexico. The finds reveal the rich diversity of ancient music cultures such as the Zapotec, Mixtec, and Mixe-Zoque. Based on the organologicaldata, important aspects of the musical history of this cultural area can be reconstructed.


03/10/2015 · By N

Aelius thus represents the sort of cultural and historical reality about Rome that does not quite fit in with the accustomed narratives and consequently is generally ignored.

Caba, Irene see Alba, Irene Caba

This finally ended with Diocletian, who picked up reforming the Empire, militarily, politically, and religiously, where Aurelian had left off.
Amid all the other upheavals of this period, one that that escapes the notice of popular culture, and often that of historians also, is how the Empire ceases to be a possession of the City of Rome.

Rome and Romania - The Proceedings of the Friesian …

Publisher's description: Chinese archaeologists digging in central China in 1977 unexpectedly uncovered two of the earliest and most extensive groups of musical instruments in the entire ancient world, dating from nearly 2500 years ago. since these percussion, string, and wind instruments were in near-pristine condition - some still playable, others inscribed with musicological information - they provided hitherto unimagined possibilities for th study of music and the history of musical instruments in ancient China. Presented here are the insights of six specialists who describe these instruments' sophisticated tuning systems, techniques of manufacture and inscriptions revealing their musical and non-musical significance in ancient Chinese society. It has become apparent that different types of music existed in Bronze Age China (2000-500 BC) for state rituals as well as for private entertainment. The authors place this evidence in the context of recent archaeological discoveries and reassess it in light of classical history and the literature on Chinese music. The three main families of instruments are also examined in detail in individual chapters. Lovers of art and music, as well as enthusiast of archaeology, musicology, and cultural history, should find this a compelling and readable presentation of the latest research and ideas on one of the world's oldest and most profound artistic expressions.

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Abstract: In 1901 Sir Walter Baldwin Spencer was amongst the first to make recordings of Aboriginal music with his documentation of central Australian speech and song. Since this time a substantial body of recordings has accrued providing a resource for an understanding of Aboriginal music in the twentieth century. But what is known of Aboriginal music in the time between white settlement and Federation? For years, historians have held up a few nineteenth century notations of Aboriginal music as monuments of historical importance. Names such as Lesueur, Field, Lumholtz, Lhotsky, Nathan, and Torrence, are familiar to anyone who has read accounts of early music making in Australia, but the importance of their work has not yet been clarified. This thesis explores the significance of these early notations and addresses questions of how they could be viewed in light of nineteenth century Aboriginal music and the attitudes of the societies that produced them. ‘Perception and response’ refer to how coupled societies deal with cultural difference. Through notations, we see one society’s perception of difference and the way they choose to express them. The works when viewed according to aspects such as method of observation and notation, date and reason for notation, and use of the finished product, form groups which highlight major trends in thought and attitude. Although after examination these works may show us very little about Aboriginal music, they are more than just the first notations of music in this country or fairly funny souvenirs of the past; they are significant as, through the changing styles of transcription, we can see the history of attitudes towards indigenous Australians in the nineteenth century.